Once in a while, there comes a media project so unique that it stays with you long after its intended or, in this case, unintended end. When the first trailer for Netflix’s The OA was released, a seemingly simple story was teased, featuring Brit Marling’s Prairie, a blind woman who, after going missing for seven years, returns being able to see. After the series premiered, we’d come to realize The OA was so much more than just learning how she regained her sight. Prairie tells her story – which involves Russian oligarchs, human experimenting, near-death experiences, and interdimensional traveling – not to her family or the FBI, but to a group of people with nothing in common except the need of listening to her. The series offers a rare experience to the audience, where we are also moved to suspend disbelief and feel part of OA’s tribe.
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